The work is composed of six landscapes of northern Spain depicted in a magical realism style. This is achieved by introducing marine animals into the landscapes as if they were part of them.

 

The aesthetic and main idea originate from "Travel Log II" and are manifested on a larger scale, in which the viewer no longer looks at a field notebook, but is directly immersed in it. It also functions as an expanded field notebook, breaking the limits of its physical form.

 

The well-defined geometric shapes on the Kraft paper act as a window into my reinterpretation of lived landscapes.